{"product_id":"energy-new-12","title":"Energy (New 12\")","description":"\u003cp\u003eLabel: \u003ca href=\"https:\/\/www.606records.com\/search?q=Dark+Entries\"\u003eDark Entries\u003c\/a\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966242593\/size=small\/bgcol=ffffff\/linkcol=0687f5\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mistylane.bandcamp.com\/album\/energy\"\u003eEnergy by Misty Lane\u003c\/a\u003e\u003c\/iframe\u003e\nMisty Lane paves a path to Dark Entries to deliver some quirky Quebecois disco pop. In 1983, producers Michel Bibeau, perhaps best known for his work on Pluton \u0026amp; Humanoids’ “World Invasion,” and Fitz Roy aka Ralph Mashats teamed up with singer Elaine Desjardins, the eponymous Misty Lane. Mashats reminisces about bringing his Roland TR-808 and TB-303 to Michel’s Studio 21 in St. Eustache, two units he regretted later selling for “a slice of bread.” Michel added hooks with his Roland Jupiter 4 and various studio effects. Their sessions produced “Energy” and “Contrôle,” two cuts of slinky synthpop with French-Canadian flair. “Energy” pops off with proto-house vibes thanks to snappy 808s and Desjardin’s naive-but-enthusiastic vocals, and would fit right into a mid-80s WBMX Radio mix. “Contrôle” is a mid-tempo groover with tropical atmospheres, sitting perfectly next to to Junior Byron’s “Dance to the Music,” which was another Bibeau production. Energy comes in a sleeve featuring Elaine at The Chivas Club in Montreal. Fans of Italo, Canadian disco, and oddball wave will rejoice in these artfully produced gems.","brand":"Misty Lane","offers":[{"title":"Default Title","offer_id":1091825072,"sku":"103000","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0739\/5213\/files\/a4100140957_10.jpg?v=1774643799","url":"https:\/\/www.606records.com\/products\/energy-new-12","provider":"606 Records","version":"1.0","type":"link"}